Ño Juan Carlos is a triste — a "sad" — taking after a traditional Argentine folk song form. It was dedicated to Juan Carlos Anido, the father of renowned guitarist María Luisa Anido, and is a tribute to a figure who was deeply connected to the Argentine guitar world: his daughter went on to become one of Argentina's most important guitarists.
Justo Tomás Morales (1877–1953) was a pivotal figure in the evolution of Argentine classical guitar in the early twentieth century. Born in Buenos Aires province, he studied guitar under Eusebio de Miguel and Domingo Prat and earned wide recognition for his performances at venues including the Teatro Apolo. As a teacher at Colegio El Salvador, he mentored numerous students and left a body of compositions that masterfully blend classical forms with Argentine folk traditions.
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